Posts Tagged ‘actor’s life’

If there was a camera on you right now, would you be doing anything differently?

Would you be sitting differently?

Would you been looking at your computer/phone/whatever differently?

Would you not be picking your nose?

Would you suddenly be aware of every move that you're making?

To be as "real" as possible the answer should be "No." You shouldn't change anything. The scene is you reading this post. And this is how you look reading this post. You don't need to change anything.

Throughout the day today, picture a camera suddenly being on you. Just notice, but don't change, what you're doing.

Be good at small talk.

Many of the jobs you get at first will only be a day, maybe two. You're going to be making a LOT of small talk with people.

Get some conversational skills. Ask polite, but appropriate questions. Practice listening (it's called small talk, because you should listen more;)

And here's a really good one; try to remember one distinct thing about each person. Even if you don't remember a person's name, if the next time you see them, you can say, "Didn't you tell me about a great place for pizza in Austin?" They'll be both surprised and delighted that you remembered something unique about them.

If you remember their name too...even better.

“Be nice to people on the way up, because you may meet them on the way down.”

– Jimmy Durante

Be nice to everyone. No one is trying to piss you off on purpose. Everyone wants to do a good job, including the lowest guy on the totem pole. He's just like you. He wants to do well enough on this job that he gets another.

Word travels. Make an effort for the words said you to be at the least, very professional, and at best also a helluva fun time.

The stuff that we're doing on set, the stuff that fills our life with meaning?

It really ain't that important. Seriously.

Sure we move people. But we're not firefighters, or heart surgeons. What we do is mostly fluff. It's entertainment. Entertainment that makes some people, and hopefully ourselves, a shit-ton of money.

I'm not saying that what we don isn't important, but lets' put it into perspective.

In general, no one is going to lose their life if we mess up a take (nod to the stunt men, for whom this may not be true). It's just another take. Now, once you get past the 3rd or 4th take, you may start costing people money, and by the time you're on take 10, they're wondering what the hell is going on. But still, no one's life is at stake.

What we is important, in context. We all love out-takes, but you don't want the set to be a free-for all. And you don't want to be unprofessional.

Believe it or not, being more relaxed about the whole process will make you better as an actor. More relaxed = more emotion. More emotion = more dramatic takes.

You should own a snap-up, or button up shirt that's a little too big for you, that's not offensive, or some crazy color. Something from Target is fine. This shirt will have one purpose and one purpose only.

It is your On Set Shirt. Yeah, I capitalized, it's a proper name.

I'm not saying that you have to where this shirt TO the set, but it's going to help you out once you get ON set. Here's why.

Say you're sitting in the make-up chair, and the hair person just finished about 20 minutes (if your a guy) or an hours (if your a gal) of work. You then go over to wardrobe to get your stuff. What happens then? Before you can put your wardrobe on, you've got to take your t-shirt off...over your head.

You're about to ruin someone's work, and they're going to have to come touch you up. Before the shoot even starts.

Once you get to set, and have made your impression with you're awesome sense of style. Change into your on-set shirt before sitting down in the make up chair. When you're done, and it's time to change, you don't have to worry about messing up someone else's hard work as the first thing you do on set.

There's another reason you should have an onset shirt, we're not done yet.

We all want to be good actors. Hell, most of us want to be effen GREAT actors.

But you know what I've found. Every great actor that I've known personally, or watched an interview for...they've all been really really good at something else. Something completely unrelated to acting.

These things range from poker to playing the piano. I even heard of a very prominent actor who used to be a damn fine lawyer.

Now, right off the bat, these things seem unrelated.

"I thought I should spend all my time focused on my craft."

Yeah, you should focus on your craft. Get our emails, get your practice in. But you should also be doing something just for the sake of doing it. Just for the fun of it. Because it brings you joy. It can be anything. Juggling, crosswords, it really doesn't matter.

The thing is, is that it'll bleed into your acting. Probably not in the "I get to play a champion crossword puzzler" way, though I'm sure that part is coming. Being really good at something else will give you confidence, patience, and depth that you can't get by just memorizing lines all day, and "getting to know yourself." Having something else you're good at will allow you to draw all kinds of similarities between what's happening in a scene, and what happens when, say, you finally solve the rubies cube in under 30 seconds. That feeling of pride, is the same pride your character is feeling when they get the contract from the boss. Same pride. The camera won't know the difference. 😉

There's already something you're pretty good at that you've been doing for a long time. Get back to it. Use it as a touchstone. Use it to have some fun. And if it creeps into your characters a bit, so be it.

AP

So, you booked a gig. Sweetness. The fun isn't over. You've actually got to do the job and at the very least not embarrass yourself.

The first thing you should do when you get on set is to ask who the 2nd Assistant Director is. This is the person who is, essentially, "in charge" of you.

Reporting to this person once you get to set is key, since you'll wan them to know where you are at all times. Nothing too extreme needs to be said once you find this person. Something simple like, "Hi, I'm AP. I'm one of your actors today."

They'll show you to your trailer, room, or to wardrobe, depending on the location & budget of the shoot.

If you are going to be anywhere other than your trailer or on set, you should let the 2nd director, or some other friend you've made with a walkie talkie know. Make-up o wardrobe will tend to be around, and if you need to run to the rest room, letting them know is alright as well.

Basically, let SOMEONE know where you are at all times. You may think that you have an hour before they shoot, but nothing's worse than finally having the sun in the right spot to get the perfect shot and they can't find the actor.

Don't be that guy. Please.